Wednesday, June 10, 2009

FastCo: Neuroscience Sheds New Light on Creativity

What neuroscience reveals about how to come up with new ideas.

http://www.fastcompany.com/magazine/129/rewiring-the-creative-mind.html

Report on White House Briefing On Art, Community, Social Justice, National Recovery 12 May 2009, Eisenhower Executive Office Building

WH Briefing Report 6-3-09

Dana Foundation: Music and the Brain from Perception to Emotion

Music and the Brain: From
Perception to Emotion brought together neuroscientists, performing
artists, and the public all participating in a gathering which
discussed the interpretation of emotions, creativity, and
improvisation.  The public event was held during the Federation of
European Neuroscience Societies (FENS) in Geneva.  Participants
included, EDAB vice chairman, Pierre Magistretti, Federal Institute of
Technology and Lausanne University Hospital; Francois Ansermet, Geneva
University Hospital; Gary Magby, Lausanne Music Conservatory; Solenn’
Lavanant, opera singer; Ioanna Bentoiu, opera singer; Richard Rentsch (www.richard-rentsch.com), composer and Orazio Sciortino (www.oraziosciortino.com).


To view a video from this gathering, go to:
http://www.dana.org/events/detail.aspx?id=13038

Arts Opportunity for Oakland County Students ages 6 - 12

Sunday, June 7, 2009

NYTIMES BOOK REVIEW: Shop Class as Soulcraft

To read the complete review, click here.

An inquiry into the value of work. Matthew B. Crawford, who owns and operates a motorcycle repair shop in Richmond, Va., and serves as a fellow at the University of Virginia’s Institute for Advanced Studies in Culture, notes that all across the United States, high school shop classes teaching mechanical arts like welding, woodworking or carpentry are closing down, to free up funds for computer labs.

here are two things wrong with this notion, according to Crawford. The first is that it radically undervalues blue-collar work that involves the manipulation of things rather than ideas. Expertise with things permits human beings to have agency over their lives — that is, their ability to exert some control over the myriad faucets, outlets and engines that they depend on from day to day. Instead of being able to top up your engine oil when it is low, you wait until an “idiot light” goes on on the dashboard, and you turn your car over to a bureaucratized dealership that hooks it up to a computer and returns it to you without your having the faintest idea of what might have been wrong.

The second problem with this vision is that the postindustrial world is not in fact populated — as gurus like Richard Florida, who has popularized the idea of the “creative class,” would have it — by “bizarre mavericks operating at the bohemian fringe.” The truth about most white-collar office work, Crawford argues, is captured better by “Dilbert” and “The Office”: dull routine more alienating than the machine production denounced by Marx. Unlike the electrician who knows his work is good when you flip a switch and the lights go on, the average knowledge worker is caught in a morass of evaluations, budget projections and planning meetings. None of this bears the worker’s personal stamp; none of it can be definitively evaluated; and the kind of mastery or excellence available to the forklift driver or mechanic are elusive. Rather than achieving self-mastery by confronting a “hard discipline” like gardening or structural engineering or learning Russian, people are offered the fake autonomy of consumer choice, expressing their inner selves by sitting in front of a Harley- Davidson catalog and deciding how to trick out their bikes.


Wednesday, June 3, 2009

Michelle Obama on Arts Education

“My husband and I believe strongly that arts education is essential for building innovative thinkers who will be our nation’s leaders of tomorrow,” said Mrs. Obama

link: In New York, Mrs. Obama Praises Arts as Vital to U.S. - NYTimes.com


Tuesday, March 31, 2009

Arne Duncan on the arts - a critical component of a complete education

"I am greatly honored that the Department is hosting the National PTA's student art exhibit. The students in this show, like many, many others around the country and the world, represent the talent and thoughtful, artistic work that can result from the support of their schools, teachers, and families. The arts are a critical component of a complete education, providing an opportunity to see and think in new ways and to innovate, as this exhibit proves. The theme of this year's exhibit--'I Can Make a Difference by ...', is an inspiration to all of us to engage, as these students have done, in the kind of thinking and efforts that President Obama has asked us to do as citizens of this great nation."

-- Arne Duncan, on occasion of the opening of the National PTA's "Reflections" art exhibit at the Department of Education, Feb. 10, 2009.

Monday, March 30, 2009

Creativity Food and Science - Ferran Adria

He's been called the Salvador Dali of the kitchen and graced the covers of The New York Times Magazine, Rolling Stone Magazine and Time. He was brought in by Harvard's School of Engineering and Applied Sciences yet considers himself an artist. Read this case study on his creative process published by the ESADE School of Business:

http://www.elbulli.com/esade/Caso_Ferran_Adria_and_elBulli-ESADE_en.pdf

Monday, March 23, 2009

Music Education Can Help Children Improve Reading Skills


ScienceDaily (Mar. 16, 2009) — Children exposed to a multi-year programme of music tuition involving training in increasingly complex rhythmic, tonal, and practical skills display superior cognitive performance in reading skills compared with their non-musically trained peers, according to a study published in the journal Psychology of Music.


Click here to read more.

Wednesday, January 21, 2009

Wisconsin Task Force on Arts and Creativity in Education


Rationale Wisconsin's Lieutenant Governor, Barbara Lawton, and State Superintendent of Schools, Elizabeth Burmaster, established the Task Force on Arts and Creativity in Education to address the essential role arts education and the development of all students' creative capacities plays in the lives of students, in defining their future, the quality of life in Wisconsin communities and our state's economy.

In this 21st century global economy, Wisconsin's competitive edge will be the talent it develops for innovation and entrepreneurship. In a fast-changing world where we are bombarded with more information than can be humanly processed, knowledge represents what can be known and creativity is the capacity to manage the unknown.

In this context, the following equation must drive smart allocation of resources in education: Knowledge + Creativity = Competitive Edge.

Creativity drives innovations in science, business, technology and even service industries; entrepreneurs are problem-solvers, innovators by definition, visionaries when at their best.

Developing the arts and creativity in education programs is both a deliberate workforce development strategy and one that will stimulate innovation/creativity and enable entrepreneurship. The new Wisconsin brand platform developed by the Wisconsin Department of Tourism points to our state's historic identity as fostering a culture of original thinkers across economic sectors. Wisconsin's future prosperity depends on our success in establishing our leadership in innovation and ideas to meet the challenges of the 21st century.

The Task Force on Arts and Creativity in Education is charged to:
- Examine the quality and amount of arts education and creativity development that students currently receive in public schools pre-K through 12, and gauge the impact of relevant state level policies and local practices on the scope and access statewide to quality arts education opportunities.
- Create and assess an inventory of arts education programs offered both during and after school by the nonprofit arts organizations.
- Develop an inventory of model projects and curriculum developing creative capacities in all disciplines that are already being used in the classroom to disseminate broadly.
- Develop a "GPS" to guide educators, policymakers, parents and communities in developing strong programs through DPI, state policies and collaborative practices to ensure that every Wisconsin child has the opportunity to develop their competitive edge.
-Identify those state and local agencies, organizations and businesses that can collaborate with schools, and will provide community leadership and additional resources to support arts education.

The work of the Task Force on Arts and Creativity in Education will encompass, but is not limited to, issues and related policies such as:
- State-supported programs for arts education and creativity.
- The incidence of use of the arts and its impact on learning in other disciplines.
- School/community arts education partnerships.
- Expanding the reach of arts and creativity in education to under-served populations.
- Diversity in arts education programs, including 21st century art forms.
- Impact of state laws and rules on arts education in schools.
- Alignment of arts and creativity education with high school graduation and post-secondary education.
- Alignment of arts and creativity education with workforce and entrepreneurial development, including identified 21st century skills.
- Equity of access and participation within arts and creativity in education programs.
- Teacher education and learning strategies to advance arts and creativity in education.

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